Midnight Rider
1970/1973
Gregg
Allman/Allman Brothers Band
The
other week when I posted the first One Hit Wonder to crack the
Billboard Hot 100's Top 20 in each year of The Seventies, I said that
there were a couple of acts on the list that just were not
one hit wonders...No way, No how. So this week,
I'm going to take a look the 'One Hit Wonder' artists that, well,
aren't.
The
first one's Gregg Allman. My brother noted when we were talking about
it that The Allman Brothers was more of 'a Jam Band' that a
hit-maker...they had hit albums, but only a couple of hit singles.
But even only two hit
singles is more that one...and both
of The Allman Brothers singles that come immediately to mind were
biggies.. Now if you want to get technical...and I'm talking really,
really
technical...both songs could
have been considered One Hit Wonders. But when you do a little
digging and analyzing, you realize neither of them were.
Ok,
first to understand my opinion on why neither The Allman
Brothers/Ramblin Man or Gregg Allman/Midnight Rider are One Hit
Wonders you have to forget that The Hot 100 exists for just a
paragraph or so. I know, that's kind of like saying 'Forget That The
Sun Exists, but ...well just do it. Just for a paragraph or two.
The
first one...Midnight Rider...was never actually released as a single
by the Allman Brothers even though it was and is a must-play staple
at their concerts,and was one of their millions of fans' favorite
songs. It didn't chart until it was
released as Gregg Allman's only charting solo release. Gregg
Allman's version is actually listed as one of 1973's One Hot
Wonders...but it couldn't have been a true One Hit Wonder because
(This is purely my opinion, BTW) he performed in both versions of the
song, and was still a member of the Allman Brothers when he released
the single. And even though The Allman Brothers never actually
released it as a single, their fans' devotion to and love of the song
makes their version of it a hit in anybody's
book.
The
second, and even better known Non-OHW of the two...Rambling Man...was
the only charting single for the band, and it was a huge
hit for them. But it actually wasn't
a One Hit Wonder because ...again...'The Brothers' version of
Midnight Rider was a hit everywhere, as they say, but the scoreboard.
The only thing that kept it from being a platinum-selling record was
not being released as a single. That makes 'Ramblin' Man their second
hit in my book...and gives them two
major hits. Not just one.
And
Gregg Allman couldn't have been a one hit wonder because he performed
in all three songs if
you count his solo cover of 'Midnight Rider. so,
IMHO, neither 'The Brothers or
Gregg Allman were OHWs. OK...you can now allow The Hot 100 to exist
again! Lets take a look at both songs...Midnight Rider first.
Gregg Allman didn't just cover 'Midnight Rider' as a
solo artist...he also wrote it for The Allman Brothers (With writing
credit also going to Kim Payne), penning the song as a take on how he
dealt with setbacks and adversity. And it was a classic just about
from the minute it was recorded. It was included as the third track
on side 1 of their second album, 'Idlewild South', and got good
coverage on the 'Rock' stations in the land (All AM back in '70).
Midnight Rider blended about four separate genres of
music together seamlessly...you can hear elements of Country, Blues,
Southern Rock, and Rock in the arrangement, music, and lyrics. If The
Allman Brother's had released it as a single it would have probably
shot up the charts like a rocket, and it's signature guitar riff
(Courtesy of Duane Allman) would have been added to the list of 'Most
Recognized Hit Song Intros Of All Time'. But they didn't, and
it wasn't, though it was and in fact sill is band's signature song
at concerts,.
But
it was Gregg Allman who made a top twenty hit out of it four years
later when he released it as a solo artist. He went up-tempo with it,
changed the guitar arrangement, added an electric piano and horns,
and made it his
signature song. So the version we all know, love, and hear most often
is actually Gregg Allman's solo cover of his own song. He released it
in late 1973, and it immediately started chart-climbing and cracked
the Top 20 on The Billboard Hot 100 when it peaked at #19 on January
19th,
1974. (Within-in two months of 40 years ago as I type this, hard as
it is to believe.)
If
you asked a thousand 'Seventies Kids; what their favorite of the two
versions was, a pretty fair percentage would tell you they preferred
'The Allman Brothers' version, with Duane's vocals in the mix. The
band had, and still has a huge fan base who'd quickly tell you that,
as far as they're concerned, 'Midnight Rider's an Allman Brother's
hit as well as a hit for Gregg Allman despite it not being released
as a single by the band.
I
still have a sneakin' suspicion that the majority would vote for
Gregg Allman's solo version simply because it was a Billboard Hot 100
Top 20 single and as such was heard on the air far more frequently
than 'The Brothers' version. Of course, you can still hear both
versions on classic rock stations and Oldies stations (And I've heard
both with-in the past month or so, both on Richmond's Classic Rock,
WKLR, 96.5). Back in The Day, you were more likely to hear 'The
Brothers' version of Midnight Rider on the Rock Stations rather than
the 'Top 40' stations, but Gregg's solo version was in pretty regular
rotation on WLEE, Pre-FM, as well as WRVQ (Q-94) when they took over
Richmond's Top-40 duties.
And
both versions' ll be around for decades after we're gone. They're
certified, bona fide classics from the Decade Of The Most Awesome
Music That Ever Existed, and our grand kids grandkids'll
be hearing 'em long after we've gotten our seats at the Big Concert
Venue In The Sky...
so
Enjoy! Midnight Rider by Gregg Allman...
...and
The Allman Brothers!
An
interesting little factiod...Kim Payne managed to get writing credit
on Midnight Rider despite the fact that he was actually a
roadie...the line 'The Road Goes On Forever' ? That
was
his contribution. But it wasn't his wasn't his only
contribution. The night that Gregg Allman wrote it he had in mind
exactly how he wanted a couple of tracks to sound. Payne was guarding
the band's equipment when Gregg found him and said, basically,
'You're going to help me get inside this place (The studio.) SO the
two of them, using undisclosed techniques and procedures, got inside,
fired the equipment up, and got the tracks down while they were still
fresh in Gregg Allman's mind.
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